Rebecca Beinart, David Turley and David Rickard discuss their proposals for Jerwood Open Forest and their shared interests in history, memory and language, with writer and editor, Tom Overton.
Rebecca Beinart, David Rickard and David Turley in conversation with Tom Overton
Programmes
Jerwood Open Forest
Reflections and Resources
Panel Discussion: Katherine Clarke, Neville Gabie and Joy Sleeman
The selectors for the second edition of Jerwood Open Forest discuss their experiences of proposal writing, research, and development in relation to their individual practices. Chaired by Hayley Skipper, National…
Returnings: Kathryn Lloyd in conversation with David Rickard and SJ Fowler
Kathryn LloydDavid Rickard’s proposal for Jerwood Open Forest, Returnings, is a dialogue between artist, poet and forest. Taking apart an old structure on the verge of demolition, Rickard proposes to return…
Solastalgia
Kathryn LloydThis is an essay written in response to Rebecca Beinart’s proposal for Jerwood Open Forest 2016. Beinart’s performance, ‘The Forest of Lost Trees’, affords a narrative to trees that have been…
Rebecca Beinart, David Rickard and David Turley in conversation with Tom Overton
Rebecca Beinart, David Turley and David Rickard discuss their proposals for Jerwood Open Forest and their shared interests in history, memory and language, with writer and editor, Tom Overton.
Magz Hall and Keith Harrison in conversation with Helen Pheby
Magz Hall and Keith Harrison discuss their proposals for Jerwood Open Forest and their shared interests in technology and industry with Helen Pheby, Senior Curator, Yorkshire Sculpture Park.
Jerwood Open Forest on Clear Spot, Resonance FM
Hayley Skipper, National Arts Development Programme Manager, Forestry Commission England, talks to Jerwood Open Forest artists Rebecca Beinart, Magz Hall, Keith Harrison, David Rickard and David Turley about their research, development…
Conversations overhea(r)d
Basia Lewandowska CummingsThe sound I think it makes is, is that whispering sound, to me it sounds, it almost sounds, um, uh, what’s the word I’m thinking? Um, like historic, not historic,…
Land art 2.0: a conversation with Hayley Skipper
Basia Lewandowska CummingsWithin Jerwood Visual Arts there are five proposals. From sawmills to ravens, to the tinnitus ringing in your ears amid a dense silence, each artist selected for the Open Forest…
A technological sublime: Semiconductor
Basia Lewandowska CummingsOn Wednesday 22nd of January I took a trip to Brighton to visit Semiconductor. Amidst sheets of data drawings pinned to the walls, computer screens, stacks of carbonised paper, bicycles…